Joe Bonamassa is probably the most gifted guitarist I have ever seen and listened to in my life. I saw him play in Knoxville, Tennessee and was utterly blown away. It was about a three-hour set. In the middle, the band went off stage for a break. Bonamassa just grabbed an acoustic guitar and continued to amaze the audience. I have never before or since heard anyone play an acoustic guitar the way he did.
Mountain Time (Live From The Royal Albert Hall, 2019)
Now that is a grand performance.
Blues Deluxe (2007)
While a blues guitarist, Joe Bonamassa also covers some really great rock as well. However, Led Zeppelin, despite their moniker as the founders of Heavy Metal, was essentially a blues-based band. Here Bonamassa performs one of my all-time favorite blues songs by Zeppelin.
I Can’t Quit You Baby (KTBA Cruise 2019)
Your really need to watch this video to the end. It is freaking amazing! A great showcase of both Joe Bonamassa and Jimmy Page’s guitar virtuosity.
For those of you who, like me, love to take the guitar ride, here is an awesome guitar duel between Joe Bonamassa, Tommy Emanuel, and Josh Smith. Check this shit out!
I will just end this post here … with this great video, Remembering BB King, that Joe Bonamassa did for his mentor and friend, BB King.
If you enjoyed this Tunes for Tuesday post, please take a few minutes and check out some of my other blog posts by clickinghere!
And, if you happen to love reading great action-adventure stories, check out my award-winning novel, Montagnard.
Choki Motobu working ippon-ken (single knuckle fist), commonly used in traditional karate, on the makiwara.
There is a lot of misinformation out there about the use of the makiwara (or striking post) in traditional Isshin-ryu Karate training. I thought I would try to clear some of it up … at least as much as you can in a short blog post.
Japanese and Chinese styles certainly have some similar training equipment. For example, the Wing Chung style has the Wing Chung dummy. Karate styles have several different types of Makiwara.
However, the use of the makiwara in traditional Okinawan Isshin-ryu Karate is very different from what I have often seen portrayed in photographs or videos on the web or in books, etc. I have seen photographs of bleeding, badly deformed knuckles and arthritic fingers that could no longer hold a pencil or work a pair of chop sticks. I once saw a video where a Japanese instructor with horribly deformed looking hands was repeatedly pounding them into a large boulder! Folks, this is not the way it was or should be done.
Anyone who has had the life-changing experience of being hit by Sensei Sherman Harrill before he lost his battle to cancer, can attest to the power in his strikes. Sensei Harrill could hit you in the shoulder and pile-drive you right into the floor. It bordered on being a religious experience. I have had the same experience being hit by Sensei John Kerker. There are a few other student of Sensei Harrill running around that can make a true-believer out of you. All that being said, Sensei Harrill could still hold a pencil, sign his name, or shake hands. When you looked at his hands, they looked … you know … normal! You might say they looked like “working” hands. But, by no means were they swollen, deformed, bruised, red, misshapen or otherwise ugly-looking. The two large knuckles of his hands did not look like some kind of mutant walnuts or purple ball bearings. But, those hands were truly deadly!
It has often been wrongly stated by many that the purpose of makiwara training is to build up calluses on the knuckles. Really? Is the purpose of playing the guitar to build up calluses on the fingertips? Or do the calluses build naturally as your fingers become stronger and more dexterous, and the music begins to flow? Has anyone seen a guitarist whose fingers were so deformed he could not hold his pick?
What the makiwara offered the karate practitioner was a means to strengthen his strike from the ground up. It offered progressive resistance. The more you moved the punching post, the more it pushed back. You would start by pressing into the post with the two large knuckles of your fist. You would set into your stance, place your knuckles against the post and press. Typically, the first time, the post would not move. You would feel some weakness somewhere in your stance, or your lower back, or your shoulder, or wrist. Something would feel out of whack. You would make an adjustment to your stance, your posture or your alignment, and try again. After awhile you begin to feel more solid, and the post began to move just a little. Over time, you would continue to press into the post focusing on your improved stance, adding hip rotation, shoulder extension, proper elbow and shoulder alignment. Little by little, the post begins to move more and more. You add breathing … exhaling into your strike.
After a time, you add distance and throw a controlled half-punch, then move to a controlled full punch. You try different strikes and striking surfaces. More times passes and you are throwing solid properly aligned punches and strikes and the post is really moving now. You are now also controlling the return of the post. Offering it resistance as it pushes back into your strike. Then one day you look down at your hands and notice the skin is a little tougher on your striking surfaces … harder. But not purple, or black and swollen, or otherwise deformed. They still look pretty damn normal!
The real difference … you are now striking with Chinkuchi! You hit your target with the entire body moving in perfect orchestration. The bone, muscle, sinew are all strengthened, honed, and working in proper alignment. Your strike is now intently focused with a surgical-like precision. It flows seamlessly and effortlessly from a dynamically relaxed movement into a concentrated, well-focused explosion of kinetic energy … which, instantly after impact, returns to a dynamically relaxed state … ready to strike again if needed. It seems effortless and flowing for you. It is natural and a part of you.
The person on the receiving end, however … probably wishes your hands were swollen, bruised, bloody and deformed.